See the example of Gabriel’s ‘Generous tears’ below, for instance.Īnother key feature of James Joyce’s short stories, as with the stories of other modernist writers like Chekhov and Katherine Mansfield, is the epiphany: a realisation or revelation experienced by a central character in the story. One of the effects of this, of course, is that it becomes difficult to know when a particular word or phrase should be heard in the narrator’s voice or in the ‘voice’ of one of the characters.
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